Tag: 2018 – December
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5 Frames… With Cinestill 800T (EI 500 / 120 format / Minolta Autocord TLR)
So I decided it was time to experiment with Cinestill 800. I got myself some rolls of 35mm and 120. My weapon of choice was my ever trustworthy Minolta Autocord with its 75mm Rokkor lens.
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Photography: Wow, what a difference! – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
Wow, what a difference! Shot on Fuji Provia 100F (RDP III) at EI 100. Color reversal (slide) film in 120 format shot as 6×6. Cross processed.
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5 Frames… With ILFORD FP4 PLUS (EI 125 / 35mm format / Pentax ME Super)
Paris is my favourite city for photography and I go there as often as I can. For shooting film, I like to take my smaller film bodies.
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Photography: PADI certified – Shot on Oriental Seagull 100 at EI 100 (35mm format)
PADI certified Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Creating the GX-Pan: a wide format cinematic Hasselblad
I’ve always been fascinated by the cinematic look of movies.
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Ready to roll – Shot on Fuji Velvia 100 RVP100 at EI 100 (35mm format)
Ready to roll Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal film in 35mm format Cross processed Read the Fuji Velvia 100 (RVP 100) review here.
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EMULSIVE Interview #193: I am Lee Gavin and this is why I shoot film
I managed to grab some time with Lee Gavin, an English film photographer and teacher based in Kent, UK. Over to you, Lee. Hi Lee, what’s this picture, then? Memory – Fuji Fujicolor 200 LG: Having always been fascinated
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Photography: Y? – Shot on Oriental Seagull 100 at EI 100 (35mm format)
Y? Shot on Oriental Seagull 100 at EI 100. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Camera review: the Hasselblad 903 SWC
I’ve been photographing with analog cameras for over a decade now and this isn’t my first Hasselblad (previously owning a V-Series 500CM).
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Photography: My spot – Shot on Fuji Provia 100F RDP III at EI 100 (120 format)
My spot Shot on Fuji Provia 100F (RDP III
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5 Frames… With Fomapan 100 Classic (EI 25 / 120 format / Hasselblad 500CM)
A few weeks ago I travelled to Con Dao island in Southern Vietnam – one of the very few destinations which are yet to be destroyed by the growing tourism industry in this country. I expected some dramatic seascapes
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Photography: Buttcrack – Shot on Oriental Seagull 100 at EI 200 (35mm format)
Buttcrack Shot on Oriental Seagull 100 at EI 200. Black and white negative film in 35mm format. Nikon F 100, Nikkor 50mm f/1.8 AF-D.
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Welcome to EMULSIVE v3
For readers without a long memory, the last major design update to EMULSIVE was way back in February 2016, just 7 short months after launch.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
