Tag: 2018 – July
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Camera review: the Yashica Mat 124
“You can have it for £40, but the meter’s broken, so it’s sold as seen.
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Photography: Lov is the answer – Shot on Kodak Portra 400VC at EI 200 (120 format)
Lov is the answer Shot on Kodak Portra 400VC at EI 200 Color negative film in 120 format shot as 6×6
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5 Frames… With Bergger BRF 400 Plus (EI 400 / 35mm format / Olympus Trip 35)
Last summer I returned to Scotland for the second time in my life. I still keep the negatives of my first time (1985), some irregular Kodak Tri-X rolls but with some great images.
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Photography: This corner of the earth – Shot on Shanghai GP3 100 at EI 200 (120 format)
This corner of the earth Shot on Shanghai GP3 100 at EI 200 Black and white negative film in 120 format shot as 6×6 Push processed one stop Development notes: Kodak HC-110: 1+47, 21°C/70°F, 13:00 (N+1) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse.
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5 Frames… With ILFORD HP5 PLUS (EI 1600 / 35mm format / Leica M4)
I live in North-East Lincolnshire in the UK and was raised in the coastal town of Cleethorpes, a once glorious Victorian seaside resort whose star has now largely faded.
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Photography: Claw – ILFORD HP5 PLUS shot at EI 12800 (120 format)
Claw ILFORD HP5 PLUS shot at EI 12800 Black and white negative film in 120 format shot as 6×6 Push processed 5 stops. Development notes: Kodak HC-110: 1+79, 23°C/73°F, 21:30 (N+5) No presoak, 1-minute initial agitation, 5 inversions/minute
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Camera review: The mystery 6×7 rangefinder aka “The Nameless Camera”
Everyone enjoys a mystery and here’s an enigma that certainly has me scratching my head. Maybe you too, although it’s possible you might be able to help solve the puzzle.
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Photography: To a point – Shot on Kodak 500T (5219) at EI 500 (35mm format)
To a point Shot on Kodak 500T (5219) at EI 500 Color motion picture film in 35mm format
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EMULSIVE interview #184: I am Matt Parry and this is why I shoot film
It’s time for the latest EMULSIVE interview and today’s victim subject is no slouch.
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Photography: Don’t leave your sht at the beach – Shot on Kodak Ektar 100 at EI 100 (35mm format)
Don’t leave your sh1t at the beach Shot on Kodak Ektar 100 at EI 100 Color negative film in 35mm format Over processed one stop.
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Sibling rivalry: Fujica GS645 & GS645S street photography shootout
The Fujica GS645 Professional and its sibling GS645S Professional are very much alike, but different enough that the cameras beg for comparison….which interestingly enough, is what this article is all about: a comparison of Fuji’s two most well-known and loved
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Photography: Through yonder – Shot on Fuji Press 800 at EI 800 (35mm format)
Through yonder Shot on Fuji Press 800 at EI 800 Color negative film in 35mm format
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5 Frames… With Kodak EKTACHROME Infrared EIR (EI 200 / 35mm format / Olympus OM-1n)
I’ve have had a roll of Kodak EKTACHROME Infrared EIR in my fridge for a year or so now. For those of you that don’t know this is a colour Infrared slide film (E6 processing, #SayNoToXPRO).
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Photography: Forever memories – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Forever memories Shot on Fuji Superia Premium 400 at EI 400 Color negative film in 35mm format
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5 Frames… With Kodak Tri-X 400 (EI 400 / 35mm format / Canon AE-1)
The images in this series are abstracted Houston landscapes, shot on 35mm film.
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Photography: Curved plane – Shot on Fujicolor Industrial 400 at EI 400 (35mm format)
Curved plane Shot on Fujicolor Industrial 400 at EI 400 Color negative film in 35mm format
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Mumbai Part 5: a permanent change of station
MEXICO — The monsoon rains had been slow in coming. The heat built and there were clouds in the white-hot sky but the rains did not come. People died in their houses and in the streets.
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Photography: Burnt guardian – Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 (35mm format)
Burnt guardian Shot on Wittner Chrome 200 (Agfa RSX200) at EI 200 Color reversal (Slide) film in 35mm format
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Photography: Unhinged #02 – Shot on Fuji Superia Premium 400 at EI 400 (35mm format)
Unhinged Shot on Fuji Premium 400 at EI 400 Color negative film in 35mm format
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Dear Benice 6: Toxic GAS
Dear Benice I love engaging with the film community on the various social media sites, but increasingly these past havens are stressing me out. The reason? CameraPorn.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
