Tag: 2018 – September
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Photography: Stand alone – Shot on ILFORD PAN F PLUS at EI 32 (120 format)
Stand alone Shot on ILFORD PAN F PLUS at EI 32 Black and white negative film in 120 format shot as 6×6 Over-developed 2/3 stop Hasselblad 2000FCW / Carl Zeiss Distagon CFi 50mm f/4 Development notes Cinestill Df96 monobath
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5 Frames… With Kentmere 400 (EI 400 / 35mm format / Fujifilm Discovery 90)
“That man is richest whose pleasures are cheapest.” ~ Henry David Thoreau Making a living as a photographer requires me to have professional digital equipment. Still, everyone around me knows about my passion for film.
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Photography: Black sand – Kodak VISION3 200T 5213 at EI 200 (35mm format)
Black sand Shot on Kodak VISION3 200T 5213 at EI 200 Color motion picture film in 35mm format
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5 Frames… With Fuji Provia 100F RDP III (35mm / EI 100 / Minolta X-700)
In 2018, E-6 Processing is expensive. I shot this roll back in April and after shooting it, it sat in my freezer for 2 months, because I can’t afford to get too many rolls of E-6 processed at once.
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Photography: Journey’s end – Shot on Efke KB25 at EI 25 (35mm format)
Journey’s end Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial agitation
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Photography: School’s out – Shot on Kodak VISION3 250D 5207 (35mm format)
School’s out Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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EMULSIVE interview 187: I am Kim Weston and this is why I shoot film – NSFW
Regular readers will be aware that I typically focus on everyday film shooters (like me) for these interviews but the opportunity occasionally arises to sit down with someone very special. This is one of those times and I’m very
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Photography: Old timer – Shot on Efke KB25 at EI 25 (35mm format)
Old timer Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 AI-S Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak, 30 seconds initial
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Film tests: getting the best out of FERRANIA P30 Alpha part 2
A few months ago, I wrote about the results of my tests on FERRANIA P30 Alpha in various developers.
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Photography: On the edge – Shot on Kodak VISION3 250D 5207 (35mm format)
On the edge Shot on Kodak VISION3 250D 5207 at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
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Photostory: Never Forget 2011 – Craig Pindell
With his kind permission, for the third year I’m posting one of Craig Pindell’s Never Forget series of photographs and some of his words in remembrance of the attack on New York’s World Trade Center on September 11th 2001. As
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5 Frames… With Polaroid Originals SX-70 B&W (EI 160 / SX-70 format / Mint SLR 670m)
I started this project a couple of months ago to document my wife’s passion for flowers and plants. Our small flat is just full of them. They are of different shapes and sizes.
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Photography: Confusion – Shot on Efke KB25 at EI 25 at EI 25 (35mm format)
Confusion Shot on Efke KB25 at EI 25 Black and white negative film in 35mm format Nikon FM3A / Nikkor 50mm f/1.2 / Nikon BR-2A + BR-3 Development notes FF No.1 Monobath: 21°C/70°F, 06:00 (N) 1 minute presoak
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百名女英雄:跟着英国皇家摄影学会一起庆祝启发人心的女摄影师们
这个夏天，英国皇家摄影学会推出了百名女英雄的国际性宣传活动，用以庆祝当今在摄影领域中发光发热的女性们。
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5 Frames… With Kodak T-MAX 100 (EI 25 / 35mm format / Yashica Samurai X3.0) – Dan Marinelli
This camera came out of left field to me. I have run the #halfframeclub for almost 2 years, but this camera never fit my ideal of what a half frame cameras should be.
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Photography: 45 Special – Shot on Kodak VISION3 200T 5213 at EI 200 (35mm format)
45 Special Shot on Kodak VISION3 200T (5213) at EI 200 Color motion picture film in 35mm format
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How-to: Make cyanotype prints from analog or digital negatives without sunlight
I hope that through this article, I’ll be able to convince you that cyanotypes can be done on a tight budget and without access to sunlight.
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Photography: My keystone – Shot on Fuji Superia X-TRA 400 (35mm format)
My keystone Shot on Fuji Superia X-TRA 400 at EI 400 Color negative film in 35mm format I don’t often ever add commentary to my daily photo posts but this one is a little special. It’s my photographic keystone.
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Review: CineStill Df96 Monobath developer
Anyone who knows me knows that I am a fierce advocate for film.
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Photography: Rusticle – Shot on Kodak 250D VISION3 5207 at EI 250 (35mm format)
Rusticle Shot on Kodak 250D (VISION3 5207) at EI 250 Color motion picture film in 35mm format Read the Kodak VISION3 250D review Bulk load your own 120 film
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
