Tag: 2019 – March
-
Photography: Office space – Shot on Fuji Acros 100 at EI 400 (35mm format)
Office space Shot on Fuji NEOPAN 100 ACROS at EI 400 Black and white negative film in 35mm format Push processed 2 stops Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra Star Plus 2.1 Development notes
-
5 Frames… With Kodak T-MAX 400 (EI 400 / 35mm format / Canon EOS 1N)
Having been and ILFORD user since learning to shoot with it in high school, I thought it high time I gave some Kodak stock a look (I have been shooting film again for about two years – a VERY
-
How to save money with a Nikon Pre-AI camera system
The cost of manual-focus 35mm equipment increases to rise and Nikon gear is leading the pack.
-
Appendix C of the Technical Field Guide for the Discerning Analog Photographer: Accounting for rise using a linear, half-lens splitting mask
In Appendix A I went into greater detail on my equations used for pushing and pulling in the field; and, then, in Appendix B we looked at the equations behind metering for multiple exposures.
-
Camera review: the flawless BOMM V810 8×10 camera
Flawless finish, consistent operation and engineered like a fine timepiece, the BOMM V810 is a wonder of thought, effort and passion…and my new 8×10 workhorse.
-
Not for legal use: Polaroid passport photos on wet plate collodion
Wet plate collodion doesn’t spring to mind as either the most practical or in fact, legal approach to creating passport photographs but that didn’t stop EMULSIVE interviewee #196 Markus Hofstaetter from giving it a shot. Markus isn’t a stranger
-
#FP4party February 2019 winner announcement
Welcome to the community picked winners of February’s FP4Party.
-
Photography: Our lady of heaven – Shot on Kosmo Foto Mono 100 at EI 200 (35mm format)
Our lady of heaven (天上聖母 / Tiānshàng Shèngmǔ) Shot on Kosmo Foto Mono 100 at EI 200 Black and white negative film in anamorphic 35mm format Push processed 1-stop Nikon F100 + Nikkor 85mm f/1.4 AF-D + ISCO Cinemascope Ultra
-
5 Frames… With Kodak EKTACHROME 160T (EI 100-150 / XPRO / 35mm format / Zenit TTL)
Because it couldn’t just be 160T, that’d be too easy. Kodak EKTACHROME 160T, was one of the three speeds of tungsten-balanced slide film that Kodak produced until 2013 or so, and you can still find plenty of it around
-
Darkroom technique: fine-tuning the negative
Back over the summer of 2018, my beloved Bronica SQ-A became gravely ill, and I sent it off to the camera spa for some TLC.
-
-
Film stock review: Comparing Kodak Ektar 100 to Fujifilm Velvia 50
To the analogue landscape photographer, choosing one’s film stock is one of the most crucial steps in the creative process.
-
5 Frames… With Fujifilm Fujicolor Pro 400H (EI 800 / 35mm format / Canon EOS 33)
By way of introduction my name is Geoff Roughton and to get it out of the way, 4 years ago I had a stroke…..well actually a series of mini-strokes followed by something more major.
-
5 Frames… With CineStill 800T at night (EI 800 / 120 format / Hasselblad 500 CM) – Matias Takala
I had a roll of CineStill 800T in my fridge waiting for a special occasion. I was going home from work one day and I could see a promise of fog in the air.
-
The Olympus XA review: how I fell in love with a tiny plastic box…
…and back in love with photography again and again. Warning: the following review of the diminutive Olympus XA is highly biased and totally subjective. I love the darn thing and actually own 2 of them.
-
How to: Shoot nightlife flash photography with Kodak Ektachrome E100
Using reversal film for flash photography is not the most obvious choice but there are a few characteristics which make using Kodak’s new Ektachrome E100 for flash photography very interesting.
-
Camera review: Minolta AF-Tele Super
It was always going to come to this point. With compact cameras that sport prime lenses, even though the image quality is as it should be, the photographer is limited to a single set focal length.
-
The Hypersensitive Podcast Episode 02: I can do that at home
We’ve reached the heady heights of our second official episode and this runaway holding tank* is showing no signs of stopping. Hamish and I talk about the MAYA darkroom timer, the redevelopment of the analogue photography hardware industry, my
-
Just in: “New” Tetenal, a phoenix rises – Charys Schuler, PhotoKlassik International magazine
Good news received directly from our friends at “New” Tetenal: the final pieces of paperwork were given their stamps of approval, and the company was officially registered last Friday March 8th 2019! The “phoenix rising from the ashes” really
-
5 Frames… Of people and their dogs with ILFORD HP5 PLUS (EI 400 / 120 format / Rolleiflex T) – Joan Sorolla
I started to shoot daily images while I was walking my dog some years ago.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
