Tag: 6×6 Aspect Ratio
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Photography: Red cabbage light study #01 – Kodak Ektar 100 (120)
Red cabbage light study #01 Shot on Kodak Ektar 100 at EI200 Color negative film in 120 format shot as 6×6 Developed as black and white in Rodinal
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Photography: Look but don’t touch – Fuji Pro 160NS (120)
2016-06-13 – Look but don’t touch Fuji Pro 160NS shot at EI 400 Color negative film in 120 format shot as 6×6 Push processed three stops
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Photography: Danger close – Fuji Pro 160NS
2016-06-10 – Danger close Fuji Pro 160NS shot at EI 100. Color negative film in 120 format shot as 6×6.
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Photography: Number 32 – Kodak Portra 400
2016-06-09 – Number 32 Kodak Portra 400 shot at EI 800. Color negative film in 120 format shot as 6×6. Push processed two stops.
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Photography: Standing guard – Fuji Pro 160NS
2016-06-08 – Standing guard Fuji Pro 160NS shot at EI 400. Color negative film in 120 format shot as 6×6. Push processed two stops.
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Photography: Behind the blue door – Fuji Pro 160NPC (120)
2016-06-07 – Behind the blue door Fuji Pro 160~NPC shot at EI100 Color negative film in 120 format shot as 6×6 Bleach bypass C-41 development
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Photography: Don’t leave me hanging – ILFORD FP4 PLUS (120 format)
2016-05-27 – Don’t leave me hanging Ilford FP4+ shot at EI 800 Black and white film in 120 format shot as 6×6 Push processed 2+2/3
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Photography: Cold rolled steel – Kodak T-MAX 100 TMX (120)
Cold rolled steel Shot on Kodak T-MAX 100 at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Running on empty – Kodak T-MAX 100 TMX (120)
Running on empty – 2016-05-21 Kodak T-MAX 100 shot at EI 100 Black and white film in 120 format shot as 6×6
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Photography: Waiting for first catch – Kodak T-MAX 400 TMY 6053 (120)
Waiting for first catch – 2016-05-17 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: All wrapped up – Kodak T-MAX 400 TMY 6053 (120)
All wrapped up – 2016-05-16 Kodak T-MAX 400 (TMY 6053) shot at EI 400 Black and white negative film in 120 format shot as 6×6
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Photography: Come and get ’em – Ilford FP4+ (120)
2016-05-12 – Come and get ’em Ilford FP4+ shot at EI 800 Black and white negative film in 120 format shot as 6×6 2+2/3 stop push
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Photography: Turquoise and red – Shot on Fuji Velvia 50 – RVP50 (120)
Turquoise and red Fuji Velvia 50 (RVP) shot at EI 40 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed
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Photography: Moored – Fuji Provia 100F RPDIII (120)
Moored Shot on Fuji Provia 100F (RDP III) at EI 100 Color reversal (slide) film in 120 format shot as 6×6 Expired and cross processed Read the Fuji Provia 100F (RDP III) review here.
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Photography: Shady looking – Shot on Kodak Tri-X 400 at EI 3200 (120)
Shady looking Shot on Kodak Tri-X 400 at EI 3200 Black and white negative film in 120 format shot as 6×6 Push processed three stops Read the Kodak Tri-X 400 review here. …and don’t forget about the Tri-X 400
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Photography: Last of the sakura – Fuji Pro 400H (120)
Last of the sakura – 2015-05-05 Fuji Pro 400H shot at EI 200 Color negative film in 120 format shot as 6×6 2x Teleconverter
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Photography: 茶 / Chá / Tea – Kodak Portra 400 (120)
茶 / Chá / Tea – 2015-05-04 Kodak Portra 400 shot at EI 400 Color negative film in 120 format shot as 6×6 This image is featured on the 52 Rolls update for week 10-13 2016!








