Tag: Bronica
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5 Frames… Of portraits on ILFORD HP5 PLUS (120 Format / EI 320 / Green #11 filter Bronica SQ-A + Zenzanon PS 150mm + S-18 extension tube) – by Cameron Breze
These frames were selected from a recent test shoot on my new (to me) Bronica SQ-A and first medium format shots that I had ever taken with extension tubes. I began my film journey mainly by accident; I had taken digital photos for years prior to giving film a shot. It had never crossed my…
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5 Frames… Of portraits on ILFORD HP5 PLUS and a Zenzanon 105mm F/3.5 (120 Format / EI 400 / Bronica ETRS)
I have been using ILFORD HP5 PLUS in ILFOSOL 3 since forever. In fact, my first camera was my father’s Nikon F2 Photomic, which I still own and use. I started taking pictures under his guidance in 1976, when I was still in
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Going underground: Documenting the history, legacy, and radioactivity of uranium mining with autoradiograms
My Geiger counter crackled and I read the dial: one thousand counts per minute, roughly twenty-seven times normal background radiation….
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Foma Retropan 320 Soft: A valuable way of seeing
I recently wrote an article for 35mmc reacting to my inability to obtain one of my favorite films, Foma’s Retropan 320 Soft in 35mm format .In it, I touched briefly on why I shoot film and how Retropan has helped me understand that inclination more clearly. It has inspired me to consider this issue in greater…
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5 Frames… Of the Pacific coast at Pomponio on Kodak Ektar 100 (EI 100 / 120 Format / Zenza-Bronica GS-1 + Zenzanon PG 100 f/3.5)
The fisherman were already there that morning. They had arrived long before sunrise with their reels and lines and pole holders made from cut off pieces of PVC pipe. Of course, there were the crabbers, too, who began to roll down to the surf just after I did, wearing their faded chest waders and carrying…
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5 Frames… Of the Dolomites on ILFORD Delta 100 Professional (EI 400 / 120 format / Bronica RF645)
As a passionate climber and long distance hiker in the mountains i was in search of a medium format camera reasonably light, affordable and simple to use in every conditions. So when I found this Bronica RF 645 in “like new” condition for no more than 500€ I decided to buy it and see if…
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EMULSIVE interview #212: I am Alys Tomlinson and this is why I shoot film
Welcome to the latest EMULSIVE interview, featuring none other than Alys Tomlinson, Sony World Photography Awards, Photographer of the Year 2018. There’s a lot to unpack here, so I’ll let Alys crack on. Over to you, Alys! Hi Alys, what’s this picture, then? AT: This was the first portrait I took for my project Ex-Voto.…
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EMULSIVE Interview #206: I am Amol Parikh and this is why I shoot film
Split between continents and cultures, today’s fresh interviewee Amol Parikh takes us on a trip into his photographic story, from the US East Coast to the West, from India to Mauritius. I’ll leave the rest to the man himself. Over to you, Amol. Hi Amol, what’s this picture, then? AP: This is a lifeguard tower…
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EMULSIVE Interview #204: I am Richard Davies and this is why I shoot film
Plates, films, stars and scenes. I’ve been following today’s fresh interviewee (on social media!) pretty much since EMULSIVE came into existence back in June 2015 and I’m so, so happy to have finally been able to get him on for an interview. It’s Twitter’s Palaeoboy, aka Richard Davies! Over to you, Richard… Hi Richard, what’s…
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
