Tag: ILFORD HP5
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5 Frames… Of visible and present grain on ILFORD HP5 PLUS + FX-37 (35mm format / EI 400 Nikon F2 + DE-1 + Nikon Nikkor 35mm f/2.8 AI) – by Emilio Romero
To begin with, it is always difficult to refer to a particular combination of camera, developer, and film that one is not used to using regularly, but I think for sure that this one is certainly worth taking a look at; the developer FX-37 in combination with ILFORD HP5 PLUS. Certainly, and as I imagine…
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5 Frames… Of symbols of the German Democratic Republic 1990-expired ILFORD HP5 (120 Format / EI 80 / Pentacon Six + Carl Zeiss Jena Biometar 80mm f/2.8)
Since 2019 I’ve been photographing the remaining symbols of the German Democratic Republic using a stash of (non-PLUS) ILFORD HP5 medium format film that expired in 1990 — the same year as East Germany itself “expired.” I went full “Ossi” (German slang for Easterner) and chose as my kit the Pentacon Six with an 80mm…
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5 Frames… from Shanghai with ILFORD HP5 PLUS (EI 400 / 35mm format / Yashica Electro GSN)
Since I got into film photography after stumbling across some cheap point ‘n’ shoot cameras in a UK charity shop a few years back, my main focus has been to try as many different film stocks as I can get through. Usually in the Yashica Electro GSN that I picked up a few months later.…
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My return to film: Zisis Kardianos
I came back to shooting film three years ago in 2017. For the previous fifteen years I had been shooting digital with a range of cameras, the last one being the Fuji X-T1, which I still use randomly or for special assignments. It is a fine, elegant and reliable machine and the results I was…
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5 Frames… From 1977: Mario Andretti and ILFORD HP5 (EI 400 / 35mm format / Canon F1)
Formula One racing had a profound effect on my life as a man and as a photographer. My superheroes weren’t Batman, Superman or Spiderman; they were Mario Andretti, Al Unser, Dan Gurney and Paul Newman. I grew up in the “Inland Empire” in Southern California. I was surrounded by race tracks: Ontario Motor Speedway, The…
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