Tag: ISO 100
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Photography: Framed – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Framed Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
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5 Frames… With Fuji Provia 100F RDPIII (EI 400 / 120 format / XPRO / Mamiya C220)
I don’t shoot as much E6 film as I want to. Part of it is that I love the ease and practicality of B/W, and the other is I’m too cheap to send my rolls to a lab.
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Photography: Tiered – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Tiered Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Cross processed
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Photography: ‘lil stunner – Shot on Kodak EKTACHROME E100 at EI 400 – 35mm format
‘lil stunner Shot on Kodak EKTACHROME E100 at EI 400Color reversal (slide) film in 35mm formatPush processed two stops. Read the Kodak EKTACHROME E100 first impressions review – EI 100, 200, 400 and 800 tested. ‘lil stunnerShot on Kodak
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Photography: Up and to the right #01 – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
Up and to the right #01 Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4
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Film stock review: Kodak EKTACHROME E100 – shot at EI 100, 200, 400 + 800 first impressions
Here’s a quick look at a recent shoot of new Kodak EKTACHROME E100 shot at box speed, then up to EI 200, 400 and 800 – one, two and three-stops of push processing. *1 The images below form part
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Photography: The moon and the mountains – Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 (35mm format)
The moon and the mountains Shot on Kodak EKTACHROME 100VS (E100VS) at EI 100 Color reversal (slide) film in 35mm format Leica M6 TTL + Voigtlander 21mm f/4 Read the EKTACHROME 100VS review Read the EKTACHROME 100VS experimentation guide  
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Photography: Cronut – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
Cronut Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
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Photography: On edge – Shot on Kodak EKTACHROME 100 (E100) at EI 100 (35mm format)
On edge Shot on new Kodak EKTACHROME 100 (E100) at EI 100. Color reversal (slide) film in 35mm format.
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Photography: Morning light – Shot on Kodak EKTACHROME 100 (E100) at EI 200 (35mm format)
Morning light Shot on Kodak EKTACHROME 100 (E100) at EI 200 Color reversal (slide) film in 35mm format Push processed one stop
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Photography: Pure Colombian – Shot on Konica Pan 100 at EI 100 (120 format)
Pure Colombian Shot on Konica Pan 100 at EI 100Black and white negative film in 120 format shot as 6×6 Pure ColombianShot on Konica Pan 100 at EI 100.Black and white negative film in 120 format shot as 6×6.
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Photography: Bound – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Bound Shot on Fuji Provia 100F (RDP
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Photography: Tussled – Shot on Fuji Provia 100F RDP III at EI 100 (35mm format)
Tussled Shot on Fuji Provia 100F (RDP
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Photography: 365 textures #02 – Shot on Kodak Elitechrome 100 (EB-3) at EI 100 (35 mm format)
365 textures #02 Shot on Kodak PROFESSIONAL ELITE Chrome
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Photography: Left on – Shot on Fuji NEOPAN 100 ACROS at EI 100 (120 format)
Left on Shot on Fuji NEOPAN 100 ACROS at EI 100 Black and white negative film in 120 format shot as 6×6 Kodak Aero Ektar 178mm f/2.5 / Hasselblad 2000FCW / AEROblad Development notes Kodak HC-110: 1+47(E), 21°C/70°F, 06:15 (N) No presoak, 1-minute initial agitation, 5 inversions/minute, normal stop/fix/rinse
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Photography: Seventeen sticks – Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100 (120 format)
Seventeen sticks Shot on Kodak EKTACHROME Professional Plus 100 (6005) at EI 100Color reversal (slide) film in 120
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Photography: Light pollution – Shot on Fuji ACROS 100 at EI 50 (120 format)
Light pollution Shot on Fuji ACROS 100 at EI 50 Black and white negative film in 120 format shot as 6×6 Pull processed one stop
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Photography: Bound – Shot on Fuji Superia 100 at EI 100 (35mm format)
Bound Shot on Fuji Superia 100 at EI 100 Color negative film in 35mm format
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Picnic time – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
Picnic time Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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Photography: To the bitter end – Shot on Fuji Velvia 100 (RVP100) at EI 100 (35mm format)
To the bitter end Shot on Fuji Velvia 100 (RVP100) at EI 100 Color reversal (slide) film in 35mm format Read the Fuji Velvia 100 (RVP100) review here.
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