Tag: 2019 – June
-
5 Frames… With Rollei CR200 (EI 200 / 35mm format / Minolta X-700)
I had wanted to collaborate with a friend of mine, a very talented performance artist working under the name Roxxie Botoxxie.
-
Photography: On the job – Shot on ILFORD Delta 400 Professional at EI 25600 (120 format)
On the job Shot on ILFORD Delta 400 Professional at EI 25600Black and white negative film in 120 format shot as 6×6Push processed 6-stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+79 (F): 23°C/73°F, 47: (N+6), no presoak, 1-minute initial agitation, 5 seconds agitation / minute, 1-minute stop, 5-minute fix , 5-minute…
-
How to: Get over early hurdles in film photography
Film can be daunting for some, but I find it is worth the investment of time and money, as long as you understand exactly what your expectations are from the medium.
-
EMULSIVE Interview #201: I am Allysse Riordan and this is why I shoot film
Welcome to a fresh instalment of my “…this is why I shoot film” series!
-
How to: Connect legacy film scanners to modern computers
It’s time to simplify and demystify the dark art of connecting legacy film scanners and other hardware to modern computers.
-
5 Frames… With Kodak EASTMAN Double-X 5222 (EI 250 / 35mm format / Canon A-1)
In 2018 I stumbled upon a small camera store in Porto, Portugal.
-
Photography: Up and over – Shot on Kodak PROFESSIONAL ELITE Chrome 100 EB-3 (35mm format)
Up and over Shot on Kodak PROFESSIONAL ELITE Chrome 100 (EB-3) at EI 100.Color reversal (slide) film in
-
Photography: London – Shot on Kodak Portra 160 at EI 160 (35mm format)
London Shot on Kodak Portra 160 at EI 160Color negative film in 35mm format LondonShot on Kodak Portra 160 at EI 160.Color negative film in 35mm format.
-
5 Frames… With Fujifilm Pro 400H (EI 400 / 120 format / Zenza Bronica SQ-A)
I’ve been looking for a 120 ISO 400 colour film for a pinhole based project that I have in mind and whilst there is a good range of black and white and 35mm, choices are fairly limited for 120
-
UPDATE: New film from Shanghai: GP3 100 now in 35mm format…plus 120 format updates
See the latest updates (2019-06-25) at the foot of this page. Retailing at just $3.50 per 36 exposure roll, another new film stock for 2019 has been announced in the form of 35mm Shanghai GP3 100, which was made
-
The best medium format camera ever made – Mamiya 6 MF review
About a year and a half ago I finally bit the bullet and bought my very first medium format camera, a Mamiya 6 MF.
-
Research: is there really a difference between real and simulated film photographs?
To answer this question, I researched the foundations of film and digital photography; and which factors can influence the style of the results for my bachelor thesis.
-
My darkroom journey
I really believe that to be a complete photographer it is imperative to either hone the skill set of printing within a darkroom environment or be knowledgeable of the process.
-
5 Frames… At night Kodak VISION3 500T 5129 (EI 1600 / 35mm format / Nikon FA)
Since I started shooting film 2 years ago, I have wanted to shoot Motion Picture Stock and have it processed in its native ECN-2 chemistry.
-
Photography: Guardians at the door #02 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #02 Shot on Fuji Pro 400H at EI 200. Color negative film in 35mm format. Nikon F100 / Nikon Nikkor 85mm f1.8 AF-D Guardians at the door #02Shot on Fuji Pro 400H at EI 200.Color
-
Photography: Thirsty work – Shot on Kodak Pro Image 100 at EI 400 (35mm format)
Thirsty work Shot on Kodak Pro Image 100 at EI 400Color negative film in
-
5 Frames… Of Cambridge with Kentmere 100 (EI 100 / 35mm format / Olympus OM-10)
Kentmere 100 is a cheap film when you compare it to
-
Photography: Tread carefully – Shot on ILFORD HP5 PLUS at EI 3200 (120 format)
Tread carefully Shot on ILFORD HP5 PLUS at EI 3200Black and white negative in 120 format shot as 6x6Push processed 3 stops Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E): 20°C/68°F, 12:45
-
Color drama: Negative Lab Pro v2… Finding the right workflow for scanning color film at home
What if you had a scanning solution for color negative and black and white film that enabled you to scan and convert a whole roll of 35mm film in less than 15 minutes and all that in next to
-
The EMULSIVE x CineStill Community Interview: results time
In mid-December 2018, I released a call for questions for the latest EMULSIVE Community Interview, this time with the folks at CineStill in Los Angeles. You obliged and here are the results.
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
