Tag: 2019 – June
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My first Impressions with the Bronica ETRSi
I was recently tempted to get into medium format more seriously and began around looking for the camera that would allow me to do so.
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Can you help solve a 35 year old murder?
On the 35th anniversary of her murder British police and the victim’s family have released an appeal for help solving the unsolved 1984 murder of the 33 year-old Shelly Morgan. Central to the new appeal from Avon and Somerset
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5 Frames… With Lomography Color Negative 400 (EI 400 / 35mm format / Minolta SRT 101)
“What about Berlin?”, I asked my partner. We were looking for a city break last October and had no idea where to go.
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The Hypersensitive Podcast Episode 06: Success and pancakes
Lots and lots to cover in this episode, the least of all being crumpets and my current obsession with them.
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Brand new film from Fujifilm: NEOPAN 100 ACROS II announced, begins shipping Autumn 2019
Updated with additional details, speculation and sample images. Picked up just a few moments ago is the heart-stopping news that Fujifilm is officially bringing black and white films back to the market in Autumn 2019 with the all-new NEOPAN
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Photography: Side entrance #02 – Shot on Fuji NEOPAN 100 ACROS at EI 200 (120 format)
Side entrance #02 Shot on Fujifilm NEOPAN 100 ACROS at EI 200Black and white negative film in 120 format shot as 6×61-stop push process Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Development notesKodak HC-110 1+47 (E
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Photography: Guardians at the door #01 – Shot on Fuji Pro 400H at EI 200 (35mm format)
Guardians at the door #01 Shot on Fuji Pro 400H at EI 200.Color negative film
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5 Frames… With Psychedelic Blues (EI 400 / 35mm format / Canon AE-1)
Psychedelic Blues Film is a line of experimental rolls of Kodak Ultra Max hand-fogged by photographer Dustin Adams and sold through his online shop. Each batch is unique and every roll contains an element of unpredictability.
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Ultra large format stereo wet plate photography: my camera build and results
You may remember me talking about my plan to build an Ultra Large Format (30×40cm) stereo wet plate camera in my interview here on EMULSIVE.
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EMULSIVE Interview #200: I am Jonathan Canlas and this is why I shoot film
I can’t begin to tell you how happy I am to finally bring today’s interviewee to these pages.
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A practical guide to… Lith printing
When mainstream photography was entangled with the darkroom, the act of printing a photo would show the artist’s hand as much as what was photographed.
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5 Frames… With Agfa Precisa CT 100 (EI 100 / 35mm format / Pentax K1000)
On the Summer Solstice of 2017, I took these five photographs on one roll of Agfa Precisa CT 100, my Pentax K1000 and SMC Pentax-M 1/2 50mm lens.
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Four years of EMULSIVE – a retrospective
WOW. Four years. You might be getting tired listening to me talk about this website as my “labour of love” and yes, I feel your pain but it is what it is.
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Photography: 5 o’clock shadow – Shot on ILFORD HP5 PLUS at EI 400 (120 format)
5 o’clock shadow Shot on ILFORD HP5 PLUS at EI 400.Black and white negative film in 120 format shot as 6×6.Hasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8. Read the ILFORD HP5 PLUS review. Development notesKodak HC-110 1+47
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Photography: Dead center – Shot on Kodak AEROCHROME III 1443 at EI 400 (120 format)
Dead center Shot on Kodak AEROCHROME III 1443 at EI 400Color infrared aerial surveillance film in 120 format shot as 6×6Shot with #21 orange filterHasselblad 2000FCW / Carl Zeiss Planar F 80mm f/2.8 Read the Kodak AEROCHROME review Dead
Recently published
- Ultreia: Making pilgrimage to Santiago de Compostela
- 5 Frames… In the pits at Brands Hatch motor racing circuit on FP4 PLUS (35mm format / EI 125 / Nikon L35AF) – by Nik Stanbridge
- 5 Frames… Of my boy (skeleton) Jeffrey on Polaroid Color SX-70 film
- New film day! Say hello to HARMAN Phoenix 200, a brand new mid-speed colour film
- My First Roll… With a Yashica Mat 124G
- The Contax 645: Not just a wedding camera
